What Does an Accordion Cost?

If you’re interested in learning the accordion, one of the first questions you’re likely to have is “how much is an accordion anyway?”

Well… it depends.

Accordions come in all sorts of shapes, sizes, ages, conditions, and levels of quality, which leads to a pretty wide ranges of prices. That said, I’ve come up with a handy rule-of-thumb that will get you in the ballpark:

Jeff’s Law of Accordion Prices:  Take what you already know about cars and divide it by ten.

What’s a new car cost these days? Maybe $14,000 to $20,000 for a compact car or entry-level sedan? Something like $30,000 to $50,000 for the next step up? Over $100,000 for something really nice and luxurious?

Just divide those car prices by ten to get roughly-equivalent accordion prices. $1,400 to $2,000 will get you on the road with a decent, brand-new accordion from, say, Hohner’s “Bravo” line (the Hyundai Accents of the accordion world). A step up from that, such as a full-sized Weltmeister, will put you in the $3,000 to $4,000 range. The high-end brands such as Pigini, Borsini, Petosa, Beltuna, etc., will be over $5,000 new, and often even in the five-figures.

Caption

Buying a brand-new accordion priced under $400 would therefore be like buying a Yugo.

Okay, so how about a used accordion? The same ten-to-one ratio applies. Buying a $300-$500 used accordion is similar to buying a $3,000 to $5,000 used car. It’ll get you from point A to point B, but probably not in comfort or style. Still, it might not be a bad choice for a “new driver”, especially if you don’t mind the occasional repair bill.

That $100 squeezebox at the yard sale? Like a $1,000 used car, only mechanics should buy it. Expect major problems that will cost a lot to fix if you can’t do them yourself.

Kiddin’ Around at Nashville’s Musician’s Corner

Kidsville Marquee

One of the great things about Nashville is how the city really embraces its “Music City” identity. Case in point is Centennial Park’s “Musician’s Corner”.

Inspired by London’s Speaker’s Corner, it’s an free event occurring each week in the spring and fall that presents a diverse bill of music to the community. Add in food trucks, a beer garden, local artisans selling their wares, activities for kids (and even for dogs!), and you’ve got yourself a great way for the whole family to spend a Saturday afternoon.

Yesterday I was given the opportunity to appear at their “Kidsville” tent to play and demonstrate the accordion. I even brought one of my old, broken accordions, so I should show everyone what the “guts” of an accordion looked like, and how everything worked inside.

Kidsville Table

Accordion Demo

Safe Parking

Three cop cars nearby? Yeah, I think it’s safe to leave my accordions in the car this time…

Afterward I got to sit back in the shade and enjoy a couple of hours of great music on the main stage from the likes of Sleepy Man Banjo Boys, The Brothers Comatose, and Over the Rhine.

All in all, not a bad way to spend the weekend!

 

Update: Here are some more pix from the day, courtesy of photographer Jon Karr.

 

 

How to Promote the Accordion

It seems that the accordion has been making a “comeback” for the last 30 years, and yet never quite arriving. Whether this latest surge in visibility is the sign of a genuine upswing or just a passing hipster fad remains to be seen. Nonetheless, I feel that accordion players do have a bit of a duty to be ambassadors of the instrument and to do what we can to keep the accordion relevant.

Along those lines, Accordion Americana has a piece on Ten Things You Can Do to Promote the Accordion, which I encourage you to give a quick read. I don’t quite agree with every point (for example, the accordion industry actually did attempt to position the accordion as a “rock-and-roll” instrument back in the ’60s, to little avail), but the overall point is spot-on: “The accordion has to participate in current music to survive.”

Note that this doesn’t mean that we need to merely shoehorn the accordion into existing popular music. I suspect that, if the accordion ever does make a true comeback, it won’t be because of songs like Stereo Love. It will have to be something that incorporates the accordion as a necessary component from the start… perhaps a modernized revival of a traditional accordion-based style (Neo French Musette, anyone?), or maybe even an entirely new style of music entirely.

Become a Better Musician Using Your… Password?

Ah, the computer password. I’ve got several I have to keep track of, and between them all I’m easily typing in passwords dozens of times a day. You’re probably the same way.

Well someone finally noticed that we’re passing up the perfect opportunity to reinforce positive thinking and behavior: Can a password change your life?

Typing a positive and realistic personal message as a password is a terrific idea from a psychological point of view. […] People become the words and phrases they say the most.

Note that, despite the examples and advice in the article, a good password doesn’t necessarily have to be super-complicated. Arguably, a better way to make a hard-to-crack yet still easy-to-remember password is to just make it longer.

So maybe a password along these lines could improve your accordion playing?

IWillPracticeEveryDay

KeepThatElbowRaised

Learn1NewTunePerMonth

MaintainASteadyTempo

IAmGoingToAceTheAudition!!!

I guess you can’t actually use any of those now that I’ve plastered them all over the internet, but you get the idea…

Four Truths for the Performing Artist

Last month, opera singer Joyce DiDonato gave a wonderful commencement speech to Juilliard’s graduating class. In it, she provides what she calls “four little observations” to those embarking on their musical careers. They may seem, at first blush, to be daunting, even contradictory. But hear her out:

1. You Will Never Make It

“It” doesn’t exist for an Artist. […] there will always be that one note that could have soared more freely, […] that one adagio which could have been just a touch more magical. There will always be more freedom to acquire and more truth to uncover. As an artist, you will never arrive at a fixed destination. THIS is the glory and the reward of striving to master your craft and embarking on the path of curiosity and imagination.

2. The Work Will Never End

When things become overwhelming–which they will, repeatedly, whether it’s via unexpected, rapid success or as heart-wrenching, devastating failure–the way back to your center is simply to return to the work. Oftentimes it will be the only thing that makes sense. And it is there where you will find solace and truth.

3. It’s Not About You

You have signed up for a life of service by going into the Arts. And the life-altering results of that service in other people’s lives will NEVER disappear as fame unquestionably will. You are here to serve the words, the director, the melody, the author, the chord progression, the choreographer–but above all and most importantly, with every breath, step, and stroke of the keyboard, you are here to serve humanity.

 4. The World Needs You

It is yearning, starving, dying for you and your healing offer of service through your Art. We need you to make us feel an integral part of a shared existence through the communal, universal, forgiving language of music, of dance, of poetry and Art–so that we never lose sight of the fact that we are all in this together and that we are all deserving of a life that overflows with immense possibility, improbable beauty and relentless truth.

Inspiring stuff! I encourage you to read the entire speech for yourself, or watch it here:

How It’s Made

Ever wonder what goes in to making an instrument as complex as the accordion? Here’s a fascinating look at the Weltmeister accordion factory in Klingenthal, Germany:

Happy International Jazz Day!

Did you know that today, April 30th, is International Jazz Day? The Director-General of UNESCO posted a wonderful message about it. Here’s an excerpt:

Jazz is so much more than music: it is a lifestyle and a tool for dialogue, even social change. The history of jazz tells of the power of music to bring together artists from different cultures and backgrounds, as a driver of integration and mutual respect. Jazz gave rhythm to the struggles of the civil rights movement in the United States, and has done so elsewhere in the world. Through jazz, millions of people have sung and still sing today their desire for freedom, tolerance and human dignity. […] I invite you to join us in spreading the message of energy, sharing and peace through culture and music.

Well if that’s not something to celebrate, what is?

To get this party started (and because this is an accordion website after all), here’s a healthy dose of jazz from the late, great Art Van Damme: